P.O. Box 366714, San Juan, P.R. 00936-6714
The Asociación de Compositores y Editores de Música Latinoamericana was founded in the city of New York in the year 1970 under the name of Latin American Music Co. (LAM), which was incorprated in 1981 and legaly registered under the letters ACEMLA.Latin American Music Co., Inc. (LAMCO) is a music publishing company of the United States of America that posesses a vast latinamerican music catalog. It is afiliated with ACEMLA.
ACEMLA controls and licences LAMCO’s non-eclusive execution rights and those of its affiliate publisher and composers. This institution was created to defend the latin composer’s rights in the United States and the world, and it is as such that in 1985, by an appeal presented before the highest federal court in this country, against a decision of the Copyright Royalty Tribunal and against ASCAP, BMI and SESAC, is succesful, and since then ACEMLA operates as the fourth society in the United States (Puerto Rico).
Harry Fox Agency
601 West 26th Street Suite 500, New York, NY 10001
In 1927, the National Music Publisher’s Association established HFA to act as an information source, clearinghouse and monitoring service for licensing musical copyrights. Since its founding, HFA has provided efficient and convenient services for publishers, licensees, and a broad spectrum of music users.
With its current level of publisher representation, HFA licenses the largest percentage of the mechanical and digital uses of music in the United States on CDs, digital services, records, tapes and imported phonorecords.
1121 Fourteenth Street., NW, Suite 700, Washington, D.C. 20005
SoundExchange is a non-profit performance rights organization that collects statutory royalties from satellite radio (such as SIRIUS XM), Internet radio (like Pandora), cable TV music channels and similar platforms for streaming sound recordings. The Copyright Royalty Board, which is appointed by The U.S. Library of Congress, has entrusted SoundExchange as the sole entity in the United States to collect and distribute these digital performance royalties on behalf of featured and non-featured recording artists, master rights owners (usually record labels), and independent artists who record and own their masters.